AS
THE CURTAIN FELL ON THE ‘THEATRE OF CRUELTY’
Recently I met with that director
From
the theatre of abuses
He
came in a skull cap
Which
could as well have been
A
hell- mate (sometimes spelt helmet)
For
all I cares.
His techniques of humiliation
Honed
and perfected in the attic of caste
Hounded
people every where
And
in every walk
Quarantining
the world
And
teaching it disrespect for each other
And
the rat race
That
leads to nowhere.
With
the tape worm that slithered around his belly
Securing
him from the impure folk around him
He
would mount bhajans all around for a grim faced terror
That
was eating into the entrails of every man and woman.
Every
flow had to be dammed up and siphoned to the purposes of utility
Freedom
had to be freed from the domes
And
used as a tether, an impossible one, that.
The
stones thrown stuck to mid air
The
lashes did more to wet the eyes
And
for the bursts of fire
And
many knots
He
had no answer,
And
the actress in her frustration
Went
up in air
The
well planned music
Stuck
to prime time
And
the footloose dancer
Meddled
up the taste.
Hiedeggar had his name changed a bit
To play in the Hedge war.
Doctors killed off their patients
People fell from the train
Spells were cast and locks invented
And every pie in their pockets were drained with
His fountains and water works
Nuclear trouble
And
empty pipe dreams for everyone
And
would steal the nectar from every spring in the making.
The
skinned torso
Upon
which they had carved a swastika
Hooked
to the past
Hung
there helpless
From
that troubled tree.
But
then the scenes underwent a change
The
directors nose that was poking in so often
Was
no more to be seen
Having
been cut-off
By
the crowd, off-stage,
The
hiran escaped from the twilight zone
And
the lion- headed monster
With
his bloody grimace
Turned
to the world
And
let out a roar.
The
mahisha took away his mask
In a
muria ghotul
"Are you Gomata Yaksha?", or Rishabha natha?
They queried.
And the kids came around to ask him about his sins
“There
were many,
And
one was that I Loved,
I
admit to it,
No
doubt, I did!”
The
snake of eternity
Upon
which the master took to rest
In a
swing did throw him under
And
danced along with the sun to meet with the falcon
Its
body, recovered.
The
nagas spoke to Parswanatha who knew well of the ledges
And
of Janamejayas( born to win/ victory to the people)
In whose name itself there was a big lie.
Snakes
danced together in the backyard
To
the unlimited song of the sirens
And
rose hissing from every where
As
did trees, coupling freely, in the wind.
Playing
out again
As
the chakra rolled on, no more a weapon.
The
lotus returned to Buddha’s pond
And
the sound trapped in the conch came back to the world
Amidst
peels of laughter,
As
an age freed itself
To a
new beginning.